Sharing is Caring: Digitisation and Social Impact? will feature three parallel workshops, all offering hands-on approaches to increasing the impact you and your institution can have in society.
1 / How to turn the museum into a public space for engagement
Marianne Grymer Bargeman, Director of Learning and Interpretation at ARoS Aarhus Kunstmuseum and Head of ARoS Public
2 / How to boost your collection visibility and impact on Wikipedia
Karen Williams, Project manager at Statsbiblioteket / Det Kgl. Bibliotek Aarhus
Finn Årup Nielsen, Senior Researcher, DTU Compute at the Technical University of Denmark
Majken Astrup, Communication & Project manager at AU Library, Campus Emdrup
3 / How to capture the social impact of your institution’s work
Harry Verwayen, Deputy Director at Europeana
Merete Sanderhoff, Curator & Senior Advisor at Statens Museum for Kunst
The Sharing is Caring workshops are kindly hosted by the new interactive museum space ARoS Public at ARoS Art Museum in the centre of Aarhus.
Sharing is Caring is all about sharing experience and expertise about digital culture. Therefore, we are thrilled that the concept of Sharing is Caring is spreading across borders. Good colleagues in Hamburg and Bruxelles have already organised extensions of Sharing is Caring outside Denmark! The conference in Denmark remains the big core event which takes place every second year, each time with a new topical theme. In November 2017, we met in Aarhus under the headline Digitisation and social impact? You too can have a share in the Sharing is Caring name and organize your own local extension, to address the topics that are close to your heart and community. Interested in staging your own Sharing is Caring event? Get in touch! The relation between the Sharing is Caring conference and extensions is inspired by the one between the TED conferences and local TEDx extensions. That is why the extensions use the hashtag #sharecarex
Damen Pyramide, from the photographic collection of the MKG Hamburg, Public Domain
Access is never simply ‘open’
It’s a struggle for meaning, power, and value. I’m interested in using digital tools to see collections differently, to create opportunities for reflection and resistance. From Australia’s racist immigration policies, to the encroachments of state surveillance, I’ll be exploring how digital access changes the types of questions we can ask of the past.
About Tim Sherratt
Tim Sherratt is a historian and hacker who researches the possibilities and politics of digital cultural collections. Tim has worked across the cultural heritage sector and has been developing online resources relating to libraries, archives, museums and history since 1993. He’s currently Associate Professor of Digital Heritage at the University of Canberra. Tim’s tools and experiments include important things like The Real Face of White Australia, useful things like QueryPic, and strange things like The Vintage Face Depot. You can find him at timsherratt.org or as @wragge on Twitter.
Picture © Christopher Brothers 2012
GLAMS in a Digital Future
Times of rapid change challenge organizations to revisit the assumptions underlying their existing practices. Some companies thrive by reinventing their business models while others fail to understand how their strengths align with new opportunities. GLAMs (Galeries, Libraries, Archives, Museums)—as individual organizations and as a sector—need to examine how the rise of open, digital culture may transform the core value they offer to society.
About Elizabeth Merritt
Vice President, Strategic Foresight and Founding Director, Center for the Future of Museums, at the American Alliance of Museums
Believing that museums can change the world, Elizabeth Merritt is devoted to helping museums create a brighter future for their communities. As founding director of the American Alliance of Museums’ Center for the Future of Museums, she applies the tools of strategic foresight to the nonprofit realm. Ms. Merritt conducts trends forecasting and scenario development for museums, sharing her work through publications, social media and presentations. She is the author of CFM’s annual TrendsWatch report and produces the weekly e-newsletter Dispatches from the Future of Museums. She frequently keynotes at conferences in the US and abroad. In recent years, her work has expanded to encompass libraries, orchestras and opera as well. Elizabeth earned has her B.S. from Yale and an M.A. in cell and molecular biology from Duke University, as well as training in futures studies at the University of Houston.